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Welcome to Blax-Jive
Blaxploitation Jive is the sister blog to Blax-Pride. We are dedicated to educating people on the relationship between blaxploitation and the artists that contributed to soundtracks for the films.
We also have expanded our dedication out to Legendary musicians that have left their legacy imprinted on us. Enjoy the blog and please... learn something!
These are the crates. A place where I will be dumping gems for you to search. The crates are filled with Old School Soul, Funk, RnB, and Jazz. No user comments will be allowed mainly because I want to keep this clean from conjestion. Keep a check every now again to see what has been put in the basement. Enjoy.
Edward Earl "Eddie" Hazel (April 10, 1950 – December 23, 1992) was a guitarist in early funk music in the United States who played lead guitar with Parliament-Funkadelic. Hazel was a posthumous inductee of the Rock and Roll Hall of Fame, inducted in 1997 with fifteen other members of Parliament-Funkadelic. Hazel was one of the original Parliament / Funkadelic members in the beginning of the 70’s.
In 1967, The Parliaments, a Plainfield-based doo wop band headed by George Clinton, had a hit record with "(I Wanna) Testify." Clinton recruited a backing band for a tour, hiring Nelson as bassist, who in turn recommended Hazel as guitarist. Hazel was in Newark, New Jersey, working with George Blackwell and could not be reached. After Nelson returned from the tour, he tried to recruit Hazel. His mother at first vetoed the idea, since Hazel was only seventeen, but Clinton and Nelson worked together to change her mind.
In late 1967, The Parliaments went on tour with both Nelson and Hazel. In Philadelphia Hazel met and befriended Tiki Fulwood, who quickly replaced The Parliaments' drummer. Nelson, Hazel and Fulwood became the backbone of Funkadelic, which was originally the backup band for The Parliaments, only to later become an independent touring group when legal difficulties forced Clinton to temporarily abandon the name "Parliaments".
With great solos like on the legendary "Maggot brain," it is obvious that Eddie Hazel is one of the biggest funk guitar-heros and his influence on other funk guitarists is undeniable.
Eddie Hazel & Michael Hampton of Funkadelic - Maggot Brain
His involvement with the George Clinton posse became less preeminent in the 80’s when P.Funk turned more electro-funk oriented and after some drug problems.
Eddie Hazel died on December 23, 1992 at the age of 42.
Axiom Funk with Eddie Hazel - Pray My Soul (1995) Posthumous release
Game, Dames and Guitar Thangs (1977), Warner Bros. Jams From the Heart (1994), JDC - EP Rest in P (1994), P-Vine At Home (With Family) (2006), Eddie Hazel
The nucleus of this enduring group are three brothers:
O' Kelly Isley (b. 25th December 1937, Cincinnati, U.S.A., d. 31st March 1986)
Rudolph Isley (b. 1st April 1939, Cincinnati, U.S.A.)
and Ronald Isley (b. 21st May 1941, Cincinnati, U.S.A.)
The Isley Brothers began singing gospel in their hometown of Cincinnati, U.S.A. During the early 50's, the trio were accompanied by their brother Vernon, who died in a car crash during 1957. The group relocated to New York the following year and issued a few one-off singles before being signed by the RCA Records production team, Hugo And Luigi. One of their compositions 'Shout' built the group a reputation during live performances. The song sold well in the black market, and has since become an R & B standard and covered by several rock artists including the Beatles and Lulu.
The Isleys switched labels to Wand in 1962, where they enjoyed another sizeable hit with a cover version of the Top Notes' 'Twist And Shout', another song covered by the Beatles. The following years the group recorded for the labels, Wand and United Artists. A brief spell with Atlantic Records in 1964 saw the release of , 'Who's That Lady?', that did not do well at the time, but was to see a renaissance a decade later on.
The Isleys then formed their own company, T-Neck Records, in 1964, something not encouraged by a mainly white run music business at the time. The first release on the label, 'Testify', showcased their young lead guitarist, Jimi Hendrix. That record's experimental sound went largely unnoticed, and the Isleys, T-Neck and Hendrix went their separate ways.
The Isleys then signed a contract with Motown Records. At the Motown outset the group were teamed with the songwriting partnership of Holland / Dozier / Holland. By 1966, the song 'This Old Heart Of Mine' became a huge hit in America and a hit four years later in the U.K. 'Behind A Painted Smile' and 'I Guess I'll Always Love You' were reissued in the U.K. and became hits in the U.K. towards the end of the 60's.
The Isleys reactivated T-Neck in 1969 and took on a different look to refurbish their image. The group added two younger brothers: Ernie Isley (b. 7th March 1952; guitar) and Marvin Isley (bass) as well as a cousin, Chris Jasper (keyboards).
In America, 'It's Your Thing' and 'I Turned You On' scored at the end of the Sixties, whilst the U.K. were catching up with several earlier Motown releases. These records employed a funkier sound, inspired by the likes of James Brown And The JB's. Between 1969 and 1972 a live double set featured extended versions of their recent hits, and 'In The Beginning', a collection of their 1964 recordings with Jimi Hendrix.
In the early 70's, the Isleys incorporated into their repertoire a variety of rock material by composers such as Bob Dylan, Stephen Stills, Todd Rundgren and Carole King. By 1973, the album '3 + 3', became the first album issued via a distribution agreement with CBS Records. This albm set the course for several excellent outings throughout the Seventies and early Eighties. Ernie Isley's guitarwork (influenced by Jimi Hendrix) became central in the Isleys' sound, and was featured on the album's lead single, 'That Lady', a more successful version of their underrated 1964 single on Atlantic. '3 + 3' also contained soft soul interpretations of material by Seals And Croft, James Taylor and the Doobie Brothers.
'Highways Of My Life' demonstrated Ronald's own developing songwriting skills. 'The Heat Is On' in 1975 showcased the two sides of the groups' songwriting stylings. Side one would become the funkier, social commentary side of the groups writings. Side two would highlight their more romantic leanings, epitomised by the soul standard 'For The Love Of You'. It was this formula that stayed with the band for the following late Seventies and early Eighties offerings.
'Harvest For The World' (1976) proved to be one of the Isleys' most popular recordings. The song became a hit, in 1988, within the pop charts for the Christians. In the late 70's, the Isley's albums became popular within the Disco genre with Black & White audiences. 'The Pride', 'Take Me To The Next Phase', 'I Wanna Be With You' and 'Don't Say Goodnight' all topped the black music charts. 'It's A Disco Night', a U.K. hit in 1980, came from the double album 'Winner Takes All', which also included the excellent 'Let Me In Your Life'.
In the mid Eighties, Ernie and Marvin Isley and Chris Jasper left the group to form the successful Isley, Jasper, Isley combination. The rest of the group still recorded under the Isley Brothers banner, however, when O'Kelly Isley died from a heart attack on 31st March 1986, the group rested for a while. Ronald and Rudolph dedicated their next release, 'Smooth Sailin', to him. That album was produced by Angela Winbush with the title track highlighting.
Angela took over the artistic control of the group, and she wrote and produced their 1989 release 'Spend The Night', which was effectively a Ronald Isley solo album.The Isley Brothers legacy, has influenced several artists during the Nineties onwards, notably R Kelly on his 'For The Love Of You' sounding, 'Your Body's Calling'. Their 1996 release 'Mission To Please' attempted to move them into the same smooth urban soul territory as Keith Sweat and Babyface.
In 2001, the group returned to recording releasing 'Eternal', which featured vocal and production input from R Kelly, Raphael Saadiq, Avant, Jill Scott and Jimmy Jam & Terry Lewis. An album entitled 'Body Kiss' was released in 2003 for the Dreamworks imprint. Their series of US hits from the 50's to the 90's is one of the major influences on Black American music.
Dennis started his playing career by completing his first record date at the age of 15. While still in his early twenties, he had a choice to make that would impact his musical journey. He was offered a job to tour with jazz legend organist Groove Holmes and offered a job to play with the famous Funk Brothers as a studio musician at Motown. Dennis had a family to support so he made the decision to work at Motown.