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Showing posts with label Pop. Show all posts
Showing posts with label Pop. Show all posts

Tuesday, October 6, 2009

Legendary Group: Earth, Wind, and Fire


The band, at various times, comprised of:
  • Maurice White (b. 19th December 1941, Memphis, Tennessee, U.S.A., drums)
  • Verdine White (b. 25th July 1951, Illinois, U.S.A., bass)
  • Philip Bailey (b. 8th May 1951, Denver, Colorado, U.S.A., vocals)
  • Ronnie Laws (b. 3rd October 1950, Houston, Texas, U.S.A., saxophone, guitar)
  • Larry Dunn (b. Lawrence Dunhill, 19th June 1953, Colorado, U.S.A., keyboards)
  • Michael Beale (guitar)
  • Wade Flernmons (vocals)
  • Jessica Cleaves (b. 1948, vocals)
  • Roland Bautista (guitar)
  • Sherry Scott (vocals)
  • Alex Thomas (trombone)
  • Chet Washington (tenor saxophone)
  • Don Whitehead (keyboards)
  • Yackov Ben Israel (percussion)

Earth Wind & Fire were formed in 1969 in Chicago, Illinois, by Maurice White. Maurice was singing gospel by the age of six and at the age of eleven he took up drums and formed a band with schoolmate Booker T. Jones. In 1960, he relocated to Chicago and studied music composition and percussion at Roosevelt University. He had the intention at the time of becoming a music teacher.


Maurice used to record, between 1963 and 1965, for the Chess Imprint, where he worked alongside Fontella Bass, Betty Everett, Jackie Wilson, Billy Stewart, the Radiants, the Dells, Curtis Mayfield and the Impressions and Etta James. In 1967, at the age of 22, he'd replaced Red Holt in the the Ramsey Lewis Trio. Ramsey introduced Maurice to the kalimba, an African thumb piano that would prove to play a large part in his future ventures.

By 1969, he had left Ramsey's ranks and began a songwriting partnership with keyboardist Don Whitehead and singer Wade Flemons. This collaboration led to the formation of the Salty Peppers, who signed to the Capitol imprint and had a hit with the song 'La La Time.'The group also released the single 'Love Is Life' and had another small hit with the song.


Maurice left the group and then relocated to Los Angeles. It was here that he decided to form the group Earth, Wind and Fire, named after three of the elements in his personal astrological chart. Maurice's brother, Verdine, was asked to join the group in 1970, alongside Don Whitehead, Wade Flemons, female singer Sherry Scott, guitarist Michael Beal, tenor saxophonist Chet Washington, trombonist Alex Thomas, and percussionist Yackov Ben Israel.


Earth, Wind and Fire signed to the Warner Brothers imprint and released their first, self titled, album in 1970. In 1971, a second album was released, entitled 'The Need Of Love'. They also performed on the Melvin Van Peebles film 'Sweet Sweetback's Baadasssss Song'. The group's line-up changed, due to a lack of commercial success, in 1972 and a new line up formed consisting of female vocalist Jessica Cleaves, flute / sax player Ronnie Laws, guitarist Roland Bautista, keyboardist Larry Dunn, and percussionist Ralph Johnson. Philip Bailey also joined via a Denver R & B band called Friends & Love. The group opened for the singer John Sebastian in New York, which led to Clive Davis signing them to CBS.

Their first album was released for the label in 1972, entitled 'Last Days and Time'. By the end of 1972, Ronnie Laws and Roland Bautista had departed. They were replaced by Andrew Woolfolk and guitarists Al McKay and Johnny Graham. In 1973, the group released 'Head To The Sky', which was followed a year later by the album 'Open Our Eyes', which contained the popular song, 'Devotion'. This was the group's first collaboration with producer, arranger, and songwriter Charles Stepney.


Maurice's brother Fred White was enlisted as a second drummer. The single 'Mighty, Mighty' became Earth, Wind and Fire's first Top Ten hit on the R & B charts. 'Open Our Eyes' additionally, went gold. By 1975, Earth, Wind and Fire completed work on another movie soundtrack, entitled 'That's The Way Of The World'. The album stood up in it's own right, with the movie almost an after thought. 'Shining Star' went to the top of the R & B charts. The title track has become a Soul Classic in recent decades, with the album winning a Grammy for Best R & B Vocal Performance by a Group.


'That's The Way Of The World' reached the number one slot on both the pop and R & B charts and went double platinum. The song 'Reasons' showcased Philip Bailey's vocal dynamics, whilst the track 'See The Light' found favour with the Jazz Funk following (the song being covered by the fusion artist Eddie Russ). That album financed Maurice's further live developments which included stage stunts designed by the magician Doug Henning.

Earth, Wind and Fire employed a horn section, the Phoenix Horns, headed by saxophonist Don Myrick. 'Gratitude' followed later that year, an album of mainly live material, however one side of studio tracks proved immensly popular amongst Soul purists, especially the song 'Can't Hide Love', a track later to grace the dancefloors of the U.K. via a version by the jazz artist Jimmy Smith in 1977. 'Sing a Song', from that album, reached the pop Top Ten and the R & B Top Five.

During the 1976 sessions for Earth, Wind and Fire's next studio album entitled 'Spirit', Charles Stepney died suddenly of a heart attack. Maurice White took over the arrangments for the album, posthumously. The Charles Stepney produced 'Getaway' reached the top of the R & B charts, and the song was utilised by the BBC as part of the companies segue's between programmes that year. 'Spirit' was successful on the charts, reaching the number two spot.


Maurice took on further musical commitments, including work for the group the Emotions ('Flowers' and 'The Best Of My Love'), Pockets, Ramsey Lewis and kick starting Deneice Williams solo career via her successful album 'This Is Niecy' that year. The following year, the group began an incredible run of chart success via the album 'All N' All'. Maurice achieved massive success via the Earth, Wind and Fire songs 'Fantasy' and 'Serpentine Fire' alongside a number one single with, the Emotions song, 'Best Of My Love'. By 1978, he had formed his own label, ARC, and appeared in the film version of 'Sgt. Pepper's Lonely Hearts Club Band', with the group delivering their take on 'Got To Get You Into My Life', a version of the Beatles tune, that made the Top Ten. That same year, 'The Best of Earth, Wind & Fire, Vol. 1' produced another Top Ten hit (and R & B number one) with the new song, 'September'.

The group hit the top of the charts with the Emotions collaboration 'Boogie Wonderland'. 'After the Love Has Gone', featured on the album, has since become a Soul Classic. The following year, the success began to wane somewhat, however 'Faces', an experimental double album package, contained some very fine moments, including the title track, an epic of a Jazz Funk tune, and the song 'And Love Goes On', popular with the Soul Purists. After this release Al MacKay left the group.

'Raise' was released in 1981, an album that secured a top five hit with the song 'Let's Groove'. 'Powerlight' followed two years later which was considered a substandard offering by the critics. The Phoenix Horns then left the group and Earth, Wind and Fire released the album 'Electric Universe' later that year, following which, Maurice and the group went their seperate ways for a while. Verdine White became a producer and video director and Philip Bailey embarked on a solo career. He scored a one off number one single after joining forces with Phil Collins for the duet 'Easy Lover'. Phil Collins utilised the Phoenix Horns on some of his 80's records, both solo and then with his group Genesis. In 1985, Maurice White produced his own solo, self titled, album in between his outside productions.

The group were re-united in 1987 for the album 'Touch The World'. The latest line up included Maurice and Verdine alongside Philip Bailey, Andrew Woolfolk, Ralph Johnson, and new guitarist Sheldon Reynolds. Earth, Wind and Fire scored R & B hits with 'Thinking of You' and the number one song, 'System of Survival'. In 1990, 'Heritage' was released with guest appearances from Sly Stone and MC Hammer. The group then left the Columbia imprint.

Signing to the Reprise label, Earth, Wind and Fire released the album 'Millennium' in 1993. They achieved a Grammy nomination for the song 'Sunday Morning' and then tragedy struck that year when, one time horn leader, Don Myrick was murdered in Los Angeles. Philip Bailey and Maurice and Verdine White returned once again in 1997, on the independent Pyramid label, with the album 'In the Name of Love'. The track 'Cruisin' proved popular with soul fans. In the year 2000, it was announced that Maurice White had been diagnosed with Parkinson's Disease. Maurice continued to output product, producing a new project for a group called 'Xpression' entitled 'Power'. 'A return to the roots of soul' he commented on the sleevenotes.

In 2003, Earth, Wind and Fire released the album 'The Promise', a set that was perceived to be a fine return to form for the group some 35 years since their conception and featured a further collaboration with the group The Emotions, along with artistic input from Angie Stone. By 2005, a further set was released, entitled 'Illumination'. Maurice resides in Santa Monica today, is making a full recovery from his illness (according to reports), whilst Earth, Wind and Fire were, recently, inducted into the Rock and Roll Hall Of Fame.

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Albums:

Compilations

Live Bootlegs

Solo albums



Resources

Monday, April 20, 2009

Diana Ross & The Supremes Discography


The Supremes comprised of:

  • Diana Ross (b. 26th March 1944, Detroit, Michigan, U.S.A.)
  • Florence Ballard (b. 30th June 1943, Detroit, Michigan, U.S.A., d. 22 February 1976)
  • Mary Wilson (b. 6th March 1944, Greenville, Mississippi, U.S.A.)
  • Betty McGlown (b. 1943, Detroit Michigan, U.S.A.)

other members at various times included:

  • Barbara Martin (between the years 1960 - 1962)
  • Cindy Birdsong (between the years 1967 – 1972 and 1973 – 1976)
  • Jean Terrell (between the years 1970 – 1973)
  • Lynda Laurence (between the years 1972 – 1973)
  • Scherrie Payne (b 14th November 1944, Detroit, Michigan, U.S.A.)
  • Susaye Greene (between the years 1976 – 1977)

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The Supremes were, probably, the first Black female group to take the art of merging popular music and fashion to another level, whilst still retaining their own R & B heritage without any artistical surrender. Their first incarnation emerged under the group name of Primettes. Betty McGlown was dating Paul Williams of The Primes at the time, and was the first Primette. Florence Ballard met Eddie Kendricks and Paul Williams of the Primes, the mangager of the male group, Milton Jenkins, created the Primettes. The Primes were later to become The Temptations. The founding members of the Primettes were Florence Ballard, Mary Wilson, (the then) Diane Ross and Betty McGlown, whom all lived at the Brewster-Douglass public housing project in Detroit. Florence Ballard had recruited Mary Wilson, who in turn recruited Diana Ross.



The Primettes issued a single on a small local label, for Lupine Records (a label created just for them) entitled 'Tears of Sorrow' b/w 'Pretty Baby'. Barbara Martin was to replace Betty McGlown in 1960. In 1960, Diana Ross asked an old neighbour, the Miracles lead singer Smokey Robinson, to help the group land an audition for Motown executive Berry Gordy. Smokey organised the audition, however, he was keen to recruit to his own groups ranks, the Primette's guitarist, Marv Tarplin. After concerns regarding the Primette's ages, the group signed with Motown the following year as The Supremes. Barbara Martin then left the group in early 1962, and Diana Ross, Florence Ballard and Mary Wilson became the Supreme line-up familiar to many. The Supreme's name was only decided upon following the suggestions of 'The Darleens', 'The Sweet Ps', 'The Melodees', 'The Royaltones' and 'The Jewelettes'. Diana Ross was aginst the name 'the Supremes', initially, as she felt the name had a male influence.

The Supremes early releases saw only minor success, leaving the group with a regular reputation for missing out on chart success. Diana Ross then took the place of Florence Ballard as the group's regular lead vocalist, at Berry Gordy's suggestion, which did bring chart success at last. 'When The Lovelight Starts Shining Through His Eyes', was the group's first hit in December 1963 (the song made number 23 on the Billboard Hot 100).




In the spring of 1964, The Supremes recorded the single 'Where Did Our Love Go?', (a song originally destined for The Marvelettes, who turned it down). 'Where Did Our Love Go' went on to reach number one on the U.S. pop charts,and was the first song to appear on the U.K. pop charts, where it reached number three. The follow-up releases, 'Baby Love' (which was was nominated for the 1965 Grammy Award for Best Rhythm & Blues Recording), 'Come See About Me', 'Stop! In The Name Of Love' and 'Back In My Arms Again', all topped the U.S. singles charts, whilst 'Baby Love' became the only record by an American group to reach number 1 in Britain in 1964.



In 1966, 'You Keep Me Hangin' On" was awarded the 1966 Grammy for Best Pop single. Unlike many of her R & B contemporaries, Diana Ross sang the songs, note for note, with little elaboration, allowing her fragile delivery to carry the song into a radio friendly environment. Along with the Motown hit machine behind the group, the women had also become fashion role models for many young Black Americans. Much of this was accomplished under the instruction of Motown chief Berry Gordy and Maxine Powell, who ran Motown's in-house finishing school and Artist Development department. The Supremes had, by now become household names, as well as international stars. By the end of 1966, the group had scored further success on the national charts with the singles, 'I Hear a Symphony', 'You Can't Hurry Love' and 'You Keep Me Hangin' On'.




An album entitled 'The Supremes A' Go-Go', became the first album by an all-female group to reach number one on the U.S. Billboard 200. The Supremes recorded albums of Broadway standards, played residencies at expensive nightclubs, and were groomed by Motown staff as all-round entertainers. A 1967 single, 'The Happening', saw the group attempt to become part of the psychedelic movement. All was not well within the group, as Florence Ballard had grown increasingly unhappy in the supporting role into which Berry Gordy had repositioned her into. Floence began to drink heavily, she put on weight, and at times could no longer comfortably wear many of her stage outfits. Resentful of the attention given to Diana Ross, Florence Ballard relied heavily upon the advice of fellow Supreme Mary Wilson, imparting her belief that Diana and Berry Gordy were intent upon her dismissal from the group. That belief saw fruition in 1967, with Florence becoming replaced by Cindy Birdsong (a former member of the Patti LaBelle and the Bluebelles group) Florence Ballard was, eventually, removed in February 1968, when she received a one off payment of $139,804.94 in royalties and earnings.

Florence pursued a short lived solo career with ABC Records. She eventually sank into poverty and died abruptly on 22nd of February 1976 from coronary thrombosis at the age of 32. The Supremes name became changed to Diana Ross and the Supremes, seemingly validating Ballard's concerns. Several other Motown acts followed suit regarding the name changes, with The Vandella's becoming Martha Reeves and the Vandella's being one example. 'Reflections' was released, moving the Supremes into a new musical area, incorporating social commentary.



Examples of this manifested themselves in the songs 'Love Child' and 'I'm Livin' In Shame' (the first of which was another U.S. number 1). The Supremes also formed a successful resurrected partnership / recording partnership with the Temptations, highlighted by the hit single 'I'm Gonna Make You Love Me'. During 1969, there were persistent rumours that Berry Gordy was about to launch Diana Ross on a solo career (the pair were rumoured at the time to have become an item). These fears were confirmed at the end of the year, when the Supremes staged a farewell performance. Diana Ross said her goodbyes to the Supremes with the song 'Someday We'll Be Together', a U.S. chart hit on which, ironically, she was the only member of the Supremes to appear. Diana Ross & The Supremes gave their final performance on the 14th of January 1970 at the Frontier Hotel in Las Vegas.

This trio recorded the self titled 'Mary, Scherrie and Susaye' in 1976, also releasing 'Hi Energy' the same year, before disbanding the following year. The Supremes then released 'I'm Gonna Let My Heart Do the Walking', their final Top 40 hit on the Billboard Hot 100 and their third number-one single on the disco singles chart. On the 12th of June 1977, The Supremes performed their farewell concert at the Drury Lane Theatre in London. Mary Wilson attempted to assemble a new set of Supremes for recording purposes, and toured Britain in 1978 with Karen Rowland and Karen Jackson in the line-up. This did not come to fruition as the name 'the Supremes' had become the legal ownership of Motown Records. Jean Terrell, Scherrie Payne and Lynda Laurence won the rights, however, to use the Supremes' name in the UK. Scherrie began recording disco material with producer Ian Levine in 1989, for the Nightmare and Motor City labels. Levine also signed Laurence, Wilson and ex Supreme Susaye Greene to solo contracts and recorded Terrell, Lawrence and Greene for a remake of 'Stoned Love'. In 1988 the Supremes were inducted into the Rock And Roll Hall Of Fame.

The career of Mary Wilson has also continued with a starring role in the Toronto, Canada production of the stage musical 'The Beehive' in 1989 and the publication of the second volume of her autobiography in 1990. In 2006, the Dreamworks movie vehicle 'Dreamgirls', saw Beyonce and Jennifer Hudson taking on the female lead parts in a movie, allegedly (and loosely), based upon the Supremes recorcding career.



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Diana Ross


As a solo artist, Diana Ross is one of the most successful female singers of the rock era. If you factor in her work as the lead singer of the Supremes in the 1960s, she may be the most successful. With her friends Mary Wilson, Florence Ballard, and Barbara Martin, Ross formed the Primettes vocal quartet in 1959. In 1960, they were signed to local Motown Records, changing their name to the Supremes in 1961. Martin then left, and the group continued as a trio. Over the next eight years, the Supremes (renamed "Diana Ross and the Supremes" in 1967, when Cindy Birdsong replaced Ballard) scored 12 number one pop hits. After the last one, "Someday We'll Be Together" (October 1969), Ross launched a solo career.

Motown initially paired her with writer/producers Nickolas Ashford and Valerie Simpson, who gave her four Top 40 pop hits, including the number one "Ain't No Mountain High Enough" (July 1970). Ross branched out into acting, starring in a film biography of Billie Holiday, Lady Sings the Blues (November 1972). The soundtrack went to number one, and Ross was nominated for an Academy Award.



She returned to record-making with the Top Ten album Touch Me in the Morning (June 1973) and its chart-topping title song. This was followed by a duet album with Marvin Gaye, Diana & Marvin (October 1973), that produced three chart hits. Ross acted in her second movie, Mahogany (October 1975), and it brought her another chart-topping single in the theme song, "Do You Know Where You're Going To." That and her next number one, the disco-oriented "Love Hangover" (March 1976), were featured on her second album to be titled simply Diana Ross (February 1976), which rose into the Top Ten.



Ross' third film role came in The Wiz (October 1978). The Boss (May 1979) was a gold-selling album, followed by the platinum-selling Diana (May 1980) (the second of her solo albums with that name, though the other, a 1971 TV soundtrack, had an exclamation mark). It featured the number one single "Upside Down" and the Top Ten hit "I'm Coming Out."




Ross scored a third Top Ten hit in 1980 singing the title theme from the movie It's My Turn. She then scored the biggest hit of her career with another movie theme, duetting with Lionel Richie on "Endless Love" (June 1981). It was her last big hit on Motown; after more than 20 years, she decamped for RCA. She was rewarded immediately with a million-selling album, titled after her remake of the old Frankie Lymon and the Teenagers hit, "Why Do Fools Fall in Love," which became her next Top Ten hit. The album also included the Top Ten hit "Mirror, Mirror."




Silk Electric (October 1982) was a gold-seller, featuring the Top Ten hit "Muscles," written and produced by Michael Jackson, and Swept Away (September 1984) was another successful album, containing the hit "Missing You," but Ross had trouble selling records in the second half of the 1980s. By 1989, she had returned to Motown, and by 1993 was turning more to pop standards, notably on the concert album Diana Ross Live: The Lady Sings...Jazz & Blues, Stolen Moments (April 1993).

Motown released a four-CD/cassette box set retrospective, Forever Diana, in October 1993, and the singer published her autobiography in 1994. Take Me Higher followed a year later, and in 1999 she returned with Every Day Is a New Day. 2000's Gift of Love was promoted by a concert tour featuring the Supremes, although neither Mary Wilson nor Cindy Birdsong appeared -- their roles were instead assumed by singers Lynda Laurence and Scherrie Payne, neither of whom had ever performed with Ross during the group's glory days. In 2006 Motown finally released Ross' lost album Blue, a collection of standards originally intended as the follow-up to Lady Sings the Blues. The album I Love You from 2007 featured new interpretations of familiar love songs. That same year the cable television network BET honored Ross with their Lifetime Achievement Award.
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The Supremes
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  • (1963) Meet the Supremes
  • The Supremes Sing Ballads & Blues (cancelled, 1963)
  • (1964) Where Did Our Love Go
  • (1964) A Bit of Liverpool
  • (1965) The Supremes Sing Country Western & Pop
  • Live, Live, Live (cancelled, 1965)
  • (1965) We Remember Sam Cooke
  • (1965) More Hits by the Supremes
  • There's a Place for Us (cancelled, 1965)
  • (1965) At the Copa
  • Tribute to the Girls (cancelled, 1965)
  • (1965) Merry Christmas
  • (1965) With Love
  • (1966) I Hear a Symphony
  • Pure Gold (cancelled, 1966)
  • (1966) The Supremes A' Go-Go
  • (1967) The Supremes Sing Holland-Dozier-Holland
  • (1968) Live In Amsterdam
  • The Supremes and the Motown Sound (cancelled, 1967)
  • (1967) The Supremes Sing Rodgers & Hart
  • (1967) Sing and Perform Disney Classics
  • (1967) Greatest Hits, Vols. 1 and 2


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Diana Ross & The Supremes
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  • (1968) Reflections
  • (1968) Diana Ross and the Supremes Sing and Perform Funny Girl [all Merrill/Styne]
  • (1968) Live at London's Talk of the Town
  • (1968) Love Child
  • (1968) Diana Ross and the Supremes Join the Temptations
  • (1968) T.C.B. - Takin' Care of Business (Diana Ross and the Supremes and the Temptations)
  • (1968) Sing Motown
  • (1969) Let the Sunshine In
  • Together (Diana Ross and the Supremes and the Temptations)
  • (1969) Cream of the Crop / alternate
  • (1969) On Broadway (Diana Ross and the Supremes and the Temptations)
  • (1969) Greatest Hits, Vol. 3
  • (1970) Captured Live on Stage! (aka "Farewell")
Compilations
  • Lost and Found (Rarities, 2 discs)
  • Previously Unreleased
  • Number Ones (2007)
  • Classic
  • 25th Anniversary Vol 2
  • Never Before Released Masters
  • B-Sides 1961-1969
  • Remixes
  • Definitive collection
  • 20 Greatest Hits
  • Love is in our hearts
  • The Silver Collection
  • Greatest Hits - quadraphonic w/ alternate takes
Motown live albums including the Supremes
  • (1963) Live at The Apollo
  • (1965) Motortown Revue In Paris
  • (1970) Motown at the Hollywood Palace
Miscellaneous
  • Coke On Motown - Supremes sing Coca-Cola commercials
  • Those Fantabulous Strings Play The Supremes Hits - good cheesy lounge!
  • VA - Motown in a Foreign Language - includes foreign language versions of Supremes songs.
Singles
  • (1966) Times are Changing - promo single for Equal Opportunities campaign.

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The '70s Supremes (With Jean Terrell)
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  • (1970) Right On
  • (1970) The Magnificent 7 (The Supremes and the Four Tops)
  • (1970) New Ways but Love Stays
  • (1971) The Return of the Magnificent Seven (The Supremes and the Four Tops)
  • (1971) Touch
  • (1971) Dynamite (The Supremes and the Four Tops)
  • Promises Kept (cancelled, 1972)
  • (1972) Floy Joy
  • (1972) The Supremes Arranged and Produced by Jimmy Webb
  • (1974) Anthology
Compilations
  • More Unreleased
  • The 70s Anthology


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The '70s Supremes (With Scherrie Payne)
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  • (1975) The Supremes
  • (1976) High Energy
  • (1976) Mary, Scherrie and Susaye
Remix singles
  • High Energy (Fromage Mother edit)

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Diana Ross Discography
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  • (1970)Diana Ross
  • (1970)-Everything Is Everything
  • (1971) Diana!
  • (1971) Surrender
  • (1972) Lady Sings The Blues
  • (1973) Touch Me In The Morning
  • (1973) with Marvin Gaye: Diana And Marvin
  • (1973)Last Time I Saw Him(Limited Expanded Edition)
  • (1974) Diana Ross Live At Caesar's Palace
  • (1975) Mahogany
  • (1976) Diana Ross
  • (1977) An Evening With Diana Ross
  • (1977) Baby It's Me
  • (1978) Ross
  • (1979) The Boss
  • (1980) Diana deluxe edition 2 Cds
  • (1981) To Love Again
  • (1981) Why Do Fools Fall In Love
  • (1982) Silk Electric
  • (1983) Ross
  • (1984) Swept Away
  • (1985) Eaten Alive
  • (1987) Red Hot Rhythm N' Blues
  • (1989) Working Overtime
  • (1989) Greatest Hits Live
  • (1991) Force Behind The Power
  • (1993) Stolen Moments - The Lady Sings... Jazz & Blues
  • (1993) Christmas In Vienna with Placido Domingo, José Carreras
  • (1994) Making Spirits Bright (christmas)
  • (1995) Take Me Higher
  • (1998) Very Special Season (christmas)
  • (1999) Every Day Is a New Day / alternate
  • (2006) Blue / FLAC version
  • (2006) I Love You

Diana Ross - Remix albums
  • In Da Mix
  • Some Mixed Tracks
  • Rare Themes
  • Mixed Vol 1
Diana Ross - Remix singles
  • 1995 - 'Take Me Higher' (BT and T-empo mixes)
  • 2007 - 'Love Hangover' (almighty anthem mix)
Diana Ross - Compilations
  • 16 top ten singles 1970-99
  • (2002) The Best Of Diana Ross
  • (1993) The Ultimate Collection
  • (2001) Love and Life - The Very Best of
Diana Ross - miscellaneous
  • Diana Ross : sheet music for piano, guitar, lyrics
  • Diana Ross : discography

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Solo releases by other members
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  • (1979) Mary Wilson - Mary Wilson
  • (1979) Sherrie and Susaye
  • Florence Ballard - The Supreme Florence

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Video
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  • (1972) Lady Sings the Blues

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